STANDARD' CHAIR BY JEAN PROUVE FOR VITRA
Designer: Jean Prouve
Maker: Vitra - Germany
Year: 1934 (2000s Edition)
Size: W 420 x D 510 x H 810 - Seat Height 450
Condition Report: Excellent second hand condition. Joints are all sturdy, and finishes in great condition. A few minor scuffs to the lower legs.
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Characterised by its triangular back leg, a reoccurring feature in many of Prouve’s work, the Standard Chair was designed around the key aspect of structure.
Considered both an engineer and designer, the form of this chair is drawn from simple materials shaped to provide strength where it is needed and lightness where it is not.
Designed in 1934, it’s function and beauty remains, as we still strive for the vitality and relevance that this chair maintains.
Designer: Jean Prouve
Maker: Vitra - Germany
Year: 1934 (2000s Edition)
Size: W 420 x D 510 x H 810 - Seat Height 450
Condition Report: Excellent second hand condition. Joints are all sturdy, and finishes in great condition. A few minor scuffs to the lower legs.
.
Characterised by its triangular back leg, a reoccurring feature in many of Prouve’s work, the Standard Chair was designed around the key aspect of structure.
Considered both an engineer and designer, the form of this chair is drawn from simple materials shaped to provide strength where it is needed and lightness where it is not.
Designed in 1934, it’s function and beauty remains, as we still strive for the vitality and relevance that this chair maintains.
Designer: Jean Prouve
Maker: Vitra - Germany
Year: 1934 (2000s Edition)
Size: W 420 x D 510 x H 810 - Seat Height 450
Condition Report: Excellent second hand condition. Joints are all sturdy, and finishes in great condition. A few minor scuffs to the lower legs.
.
Characterised by its triangular back leg, a reoccurring feature in many of Prouve’s work, the Standard Chair was designed around the key aspect of structure.
Considered both an engineer and designer, the form of this chair is drawn from simple materials shaped to provide strength where it is needed and lightness where it is not.
Designed in 1934, it’s function and beauty remains, as we still strive for the vitality and relevance that this chair maintains.
